This, following my Mondrian pages, is another exploration of the impact of an
early piece of modern art on its own and on subsequent generations.
Marcel
Duchamp's Nude Descending a Staircase (No. 2), 1913 is in the Philadelphia Museum of
Art. The PMA's own
web site states,
This painting created a
sensation when it was exhibited in New York in February 1913 at the historic
Armory Show of contemporary art, where perplexed Americans saw it as
representing all the tricks they felt European artists were playing at their
expense. The picture's outrageousness surely lay in its seemingly mechanical
portrayal of a subject at once so sensual and time-honored. The Nude's
destiny as a symbol also stemmed from its remarkable aggregation of
avant-garde concerns: the birth of cinema; the Cubists' fracturing of form;
the Futurists' depiction of movement; the chromophotography of Etienne-Jules
Marey, Eadweard Muybridge, and Thomas Eakins; and the redefinitions of time
and space by scientists and philosophers. The painting was bought directly
from the Armory Show for three hundred dollars by a San Francisco dealer.
Marcel Duchamp's great collector-friend Walter Arensberg was able to buy the
work in 1927, eleven years after Duchamp had obligingly made him a hand-colored,
actual-size photographic copy. Today both the copy and the original, together
with a preparatory study, are owned by the Museum.
The influences seem to be Cubism and Muybridge's serial photographs
(interesting sample
here).
Nude Descending Stairs, 1887
Two common questions are, 'where is the nude?' and 'where is the
staircase?'. Fortunately, these are not important.
It is worth bearing in mind that Duchamp was a key player in the
Surrealist, Futurist and American Dada movements. Two of his other most famous works are,
Fountain, 1917
Duchamp referred to such pieces as readymades, but the
practice became more widely known as found art, This was the first of
several urinals he turned into art during his lifetime, this one being
signed R Mutt. It was rejected as not being art for the 1917 Society
of Independent Artists exhibition, from the board of which Duchamp then
resigned.
This work, from 1919, was entitledL.H.O.O.Q., thought to be a play on 'words' as, when said in
French sounds rather like 'she has a hot ass'.
It has been suggested that rather than just using a poster of the original
Mona Lisa, he repainted it to look more like himself.
a detail of the face
Duchamp produced several paintings in a cubist style, some similar to Nude
Descending
Sonata, 1911
Dulcinea, 1911
Portrait of Chess Players, 1911
Transition of Virgin into a Bride, 1912
Bride
Sad Young Man in a Train
Two more important points before we continue:
I have a profound affection of much modern art, but little respect for art
critics.
There will be no gratuitous nudity on these pages. Our low watermark is
here.
What follows is a trawl of modern artistic output to discover homages to
Duchamp's Nude Descending.
Let's start at home with
Modest Self Portrait of the Artist as a Nude Man Descending a
Staircase, 2005
Mark also does a fine line in Mondrians, see
here.
Hananiah Harari, Nude
Descending a Staircase from
here.
Artist's comments from the source web site, I felt
impelled towards a renewed disposition of this subject made notorious with
the uproar over Marcel Duchamp's entry in the 1913 Armory Show. The theme
has since become generic, as have themes such as bathers, piping Pans, or
reclining nudes.. But my own statement would not or could not, be cast in
Duchamp's cubist-futurist idiom. Serendipity led me to the Pre-Raphaelite
Sir Edward Coley Burne-Jones whose painting The Golden Stairs suggested a
scaffold for my own. His Victorian maidens, a saccharine demiseraphic
troupe, were for me quite naturally no more embraceable than Duchamp's
metallic robots. However the sweep of Burne-Jones' design provided my nude
her stage. She makes entrance, then descends to diverse portraits comprising
not only head, but body & temper - revealed step by step as it were, in
shifting colors, light, and action. After "performing" in choreographed
(sometimes mocking) descent , she exits below to Art and to the World. (My
debt to Burne-Jones is acknowledged in the lower right hand corner of my
work, where his name can be seen on a crumpled candy-wrapper.
Angela Hrabowiak, Nude descending
staircase with her cock in her hand, 1992 from
here.
Rufus Butler Seder, Nude descending a
staircase' (detail) from
here.
Jonathan Lane, Nude; Descending
Staircase
Stairway at Tobacco Road - Miami, see it
here
Awaiting permission to display.
William Richard Hundley, Nude
Descending Again, 2001 from
here
Dan Feldman, Fork Descending A
Staircase, 1997 from
here
Chad Robertson, Nude Falling Down a
Staircase, from
here
from the web page,
Disturbing, provocative, sometimes humorous, and often characterized by a
seductive melancholy, Chad's paintings have a disarmingly lifelike quality
and a colloquial style that make them appear at first glance to be poorly
shot photographs-over-exposed and taken by a shaky hand. The result is a
jarring study in the quiet isolation of his subjects.
Peter Edwards, Nude Decending [?] Staircase,
from here